Graham Reynolds EPK
“Dynamic...Wonderful...Glorious…the brilliant Graham Reynolds’ original orchestrations perfectly fit every moment.”
- Ain’t It Cool News
“Power-jazz…crossbreeding classical futurism and punk esprit.” - Rolling Stone
“Whatever's going on inside the head of the Golden Arm Trio,it must be one hell of a movie.” - BBC
"Mastermind Graham Reynolds draws inspiration from Sonic Youth and Henry Cowell at once, treading the line that these two influences share: deconstucted and innovative recastings of any and all musical materials."
- Village Voice
“A perfect example of modern classical pushing the limits.” - caffeine-headache.net
"A weave of dense classical instrumental warmth, his signature big beat experimental jazz and something more avant and progressive – something touching on the musical adventure of John Zorn, Henry Cow, John Adams, Charlie Mingus, Radiohead. Polymath movement, lush orchestration, vibrant wide-ranging cinematic soundscape symphonies and all delivered with such forward looking classical elegance. Darkly avant prog rock to classical klezmer, jazz, and just a hint of an alt.rock undertone or two in a work that really is rather unique and rather recommended." - Organ Magazine, UK
“These motifs and movements explore moods of danger, mystery, farce, wonder and angst, twisting and turning from jazz to chamber music to ambience and to post-rock…I haven’t seen the ballet…but I still regard this as one of the most creative, unique and downright satisfying albums I’ve heard all year. As a standalone piece it undoubtedly works, in that it’s stirring, gripping, intoxicating and enlivening, and it contains a wealth of varied and subtle elements, far too many to elaborate upon in a single review.”- experimusic.com
“Daring …Seamless…Irresistible…Graham Reynolds scores films, conducts unconventional symphonies, and rewrites the rules of modern jazz.” - SF Weekly
“Some of the most beautiful and mesmerizing music I have ever heard.” - FileThirteen.com
“Only in John Zorn and the late Frank Zappa can we find modern American analogues to Reynolds' wide-ranging musical sensibilities and stellar abilities.” - The Missoulian
"I had been a fan of Graham's for a long time. He's the perfect combination of daring and experimental, and still able to deliver the emotional goods." -Director Richard Linklater, Slacker, School of Rock
“Eerily evocative …Rich and Inventive” - Variety
“The music tells [the story] perfectly…and there are some beats that would make many a producer prick up an ear.” - Bearded Magazine, UK
Graham Reynolds will not be limited by instruments, genres, anything…Stellar.” - Baltimore Sun
“Dynamic...Wonderful...Glorious…the brilliant Graham Reynolds’ original orchestrations perfectly fit every moment.”
- Ain’t It Cool News
“Power-jazz…crossbreeding classical futurism and punk esprit.” - Rolling Stone
“Whatever's going on inside the head of the Golden Arm Trio,it must be one hell of a movie.” - BBC
"Mastermind Graham Reynolds draws inspiration from Sonic Youth and Henry Cowell at once, treading the line that these two influences share: deconstucted and innovative recastings of any and all musical materials."
- Village Voice
“A perfect example of modern classical pushing the limits.” - caffeine-headache.net
"A weave of dense classical instrumental warmth, his signature big beat experimental jazz and something more avant and progressive – something touching on the musical adventure of John Zorn, Henry Cow, John Adams, Charlie Mingus, Radiohead. Polymath movement, lush orchestration, vibrant wide-ranging cinematic soundscape symphonies and all delivered with such forward looking classical elegance. Darkly avant prog rock to classical klezmer, jazz, and just a hint of an alt.rock undertone or two in a work that really is rather unique and rather recommended." - Organ Magazine, UK
“These motifs and movements explore moods of danger, mystery, farce, wonder and angst, twisting and turning from jazz to chamber music to ambience and to post-rock…I haven’t seen the ballet…but I still regard this as one of the most creative, unique and downright satisfying albums I’ve heard all year. As a standalone piece it undoubtedly works, in that it’s stirring, gripping, intoxicating and enlivening, and it contains a wealth of varied and subtle elements, far too many to elaborate upon in a single review.”- experimusic.com
“Daring …Seamless…Irresistible…Graham Reynolds scores films, conducts unconventional symphonies, and rewrites the rules of modern jazz.” - SF Weekly
“Some of the most beautiful and mesmerizing music I have ever heard.” - FileThirteen.com
“Only in John Zorn and the late Frank Zappa can we find modern American analogues to Reynolds' wide-ranging musical sensibilities and stellar abilities.” - The Missoulian
"I had been a fan of Graham's for a long time. He's the perfect combination of daring and experimental, and still able to deliver the emotional goods." -Director Richard Linklater, Slacker, School of Rock
“Eerily evocative …Rich and Inventive” - Variety
“The music tells [the story] perfectly…and there are some beats that would make many a producer prick up an ear.” - Bearded Magazine, UK
Graham Reynolds will not be limited by instruments, genres, anything…Stellar.” - Baltimore Sun